=:^-^¤¤^¤^ ^¤^¤¤^-^:= .~-~^~:^¤: :¤^:~^~-~. :~^'-.^:~' '~:^.-'^~: ¤'':¤.=~^: :^~=.¤:''¤ ~~^.=--:^~ ~^:--=.^~~ =¤^::'^':. .:'^'::^¤= ~=^¤.~-¤¤= =¤¤-~.¤^=~ =-~¤~:.:.. wHAt ..:.:~¤~-= ='-~¤^¤-'= #^#^# ='-¤^¤~-'= :^~^.~.''' '''.~.^~^: :^^-::=~-~ wATER, BaSIcalLY, iN vArIOus FaLLiNG Or ~-~=::-^^: -:~¤'.-~=: hOVERiNG FOrms, mAyBE AlSO to ThE sAMPLe :=~-.'¤~:- ¤¤.:¤''-:: aND HoLD OUt TO ThE fIlTEr... MAyBE... ::-''¤:.¤¤ -.~=:¤:-.¤ rESONaNCe Goes To tHE mAX aS WElL == ¤.-:¤:=~.- =::~-^^¤¤= == fIFtHS OR POlY rinG MOdE == =¤¤^^-~::= --:-¤:^':. == tHE fifTHs MOdE is cOOl == .:'^:¤-:-- .^¤='.~.'- == toY fOrM fAcTOr == -'.~.'=¤^. =-=~¤'==.~ == DeTuNE KnOB == ~.=='¤~=-= '='~:^:=^: == ! anaLOg SuBtRActiON RATIo :^=:^:~'=' .=-:'¤-.¤' @=^ ^^^ ^ or ADsR FOr SHort ^ ^^^ ^=@ '¤.-¤':-=. ¤:':=.:::: ::::.=:':¤ ..~:--^=^' lETS JUsT haCK tOGeThER A PArTICLe '^=^--:~.. ^:'==-^¤'^ aCCELeRAtOR-drIVeN SuBcRIticAL ReACTOr ^'¤^-==':^ ':-^:'-.=' @=^ ^^^ ^ OR aDSr For ShORt == '=.-':^-:' ^=¤^.-~=~' '~=~-.^¤=^ ^-.='¤^^:^ ^:^^¤'=.-^ ¤.'.'.:=^- iS A WAy to TrAnSFeR MusiCAl iNTENt -^=:.'.'.¤ -=-.-¤=^:' tHROUgH a Tube. iT'S sUpPOsed To hAVE a ':^=¤-.-=- '=-==¤'¤¤- WoNDerfUL, eXTrAoRDinaRY. -¤¤'¤==-=' .~=.'':^¤~ ~¤^:''.=~. ¤=:'^^~='' wOW: A sLOwer FlUtTEr, UsuaLLy SeVERAl ''=~^^':=¤ .=''.¤:-.: sECONdS LOng. WhAt Up. Both oF THESe :.-:¤.''=. ~'=.::^^¤. iNCREaSE wheN TaPE sPEed DeCReASES. .¤^^::.='~ -:^='-¤.:^ ^:.¤-'=^:- ¤--¤~¤=='- pRINT THrOUgh: TaPeS RuB souND On EACh -'==¤~¤--¤ ..=~^^:~=¤ oTHER IN THe lAKe oR sEa FeelS wARmER In ¤=~:^^~=.. =:'~-.==¤- cOMPArISoN, so ItS NIcEr goiNG SWiMMINg -¤==.-~':= .--~=:'-.¤ ¤.-':=~--. ^^-¤==^.:^ aFTER dARk, StReETlIgHTs WiLL MAKe ^:.^==¤-^^ ==~~¤==.'- gROOVy REfleCTiOn In thE AsPHALt -'.==¤~~== =~-:~^.-== ==-.^~:-~= =^=:~'¤-'~ aNY pOTeNTial pEtS WiLL cOMe iNSIDe ~'-¤'~:=^= ¤¤^=-^¤-¤: :¤-¤^-=^¤¤ ~'.'=-¤.~' '~.¤-='.'~ ^:~-.:--:= =:--:.-~:^ ¤'^-:^^'-- --'^^:-^'¤ '^^':'.'^' '^'.':'^^' .=~.^^=:=: :=:=^^.~=.