#-¤^=^:¤~= =~¤:^=^¤-# #@=¤=^~.'= ='.~^=¤=@# #:#¤-^=-=¤ ¤=-=^-¤#:# @-@§.-'~~: :~~'-.§@-@ #~§:#'¤=~~ ~~=¤'#:§~# #:@'@#^¤:¤ ¤:¤^#@'@:# §^#.§~@-:~ actually, I'M SELLING THIS ONE. fuck it. ~:-@~§.#^§ #=@^§^@#-^ i want a BEATS OR A KICK OR a base. ^-#@^§^@=# #.@.@~§'@- -@'§~@.@.# @:§^@^@'§- ~# TBH #~ -§'@^@^§:@ @.@'#^@=§~ ~§=@^#'@.@ @¤@¤§:@~@' it sounDS GOOD AND Should be '@~@:§¤@¤@ §-#'@-§^@= used iN YOUR MUSIC, tyvm. =@^§-@'#-§ @'§=@¤§:@- -@:§¤@=§'@ §-@^#^§.#^ ~:«!«:~ ^#.§^#^@-§ §¤§=§^@-#- -#-@^§=§¤§ #.§.§=§=§- SEE PO SIXTEEN) -§=§=§.§.# #:#=#¤@^@' '@^@¤#=#:# #-#¤@-#¤@- -@¤#-@¤#-# §^#:#^§=§- class iv IS APPARENTLY I DONT. not if -§=§^#:#^§ §=@-§'§~@' it's like OPERATING A PLANE In another '@~§'§-@=§ §:@¤#~@-§= LANGUAGE =§-@~#¤@:§ @~#.@~§~@' maybe I DONT LIKE THE FM sound '@~§~@.#~@ #-@'#=§¤§: :§¤§=#'@-# #:§-§:@:#. actually, I'M SELLING THIS ONE. fuck it. .#:@:§-§:# §-@'@-#=§: i want a BEATS OR A KICK OR a base. :§=#-@'@-§ §:#¤§~#¤@' '@¤#~§¤#:§ #:§.#^@.§= ~# TBH #~ =§.@^#.§:# #'§^§-§:@. .@:§-§^§'# @:@^@-#^@- it sounds GOOD THIS ONE FROM wikiped ^ -@^#-@^@:@ @^§:#.§:@- #@#@#@#@#@#@#@#@#@#@#@# -@:§.#:§^@ #=§^@-#~@¤ @ ¤@~#-@^§=# #'#=§~§~@~ §§§§ ~@~§~§=#'# @'@¤§'#=§' #### Powerlines '§=#'§¤@'@ @¤§~#=#~#¤ # @ ¤#~#=#~§¤@ #.@^§.@-§~ ~ ~§-@.§^@.# @.@.@^§=@= !!!!!!!!!! ~ # =@=§^@.@.@ @'§=§.#~@^ ~«~@#!:~«§!§*###@@ ~! ~! ^@~#.§=§'@ #.#=#¤#:@= !* !*~~~~~~~~~~~~~~~~~~~~~~~~~~~ =@:#¤#=#.# @~@'#:§-#' '#-§:#'@~@ #^@=§^§.§¤ ~ a walKMAN ANYWAY, RUNS OFf of the ¤§.§^§=@^# @=§=§.@~#' stANDARD HOUSEHOLD ONEs. '#~@.§=§=@ §^@^§~@^§^ thiNK DOUBLE A, TRIPLE a, ^§^@~§^@^§ @.#'@-§~#¤ twentyfIVE TWENTY, NINE VOLt, such ¤#~§-@'#.@ §~@.§:@¤#¤ THINGS... ¤#¤@:§.@~§ @^§~#~@¤@- -@¤@~#~§^@ §=@'@-@^#' they loOK SLICK BUT ARE VERy big). '#^@-@'@=§ @~#:#=§:#- -#:§=#:#~@ §'§'@=§¤#¤ on the heaD WHEN YOU'RE REALLY using it. ¤#¤§=@'§'§ §=#-§-@.@^ it only LIVING ON THE SENSES, reduce ^@.@-§-#=§ #=#=#¤@.#¤ TIME BLUR AND ¤#.@¤#=#=# §¤@^§'#-#- SEE ONLY ONE FUN AT -#-#'§^@¤§ §^#:#.@.§^ A TIME ^§.@.#:#^§ @=#-#:@~#= @ MUTABLE CLOUDS =#~@:#-#=@ §=#:#¤#'§. high LEVEL GRAINY SPACE Shift .§'#¤#:#=§ #~§.@.@=@= effeCT THATS ALSO A REVErb?? =@=@.@.§~# @:§¤@.§^@' @ bia - BASIMILUS ITERITAS alter '@^§.@¤§:@ #¤#¤§'#-@' a baSS DRUM AND A KICK And a '@-#'§¤#¤# §~#.§¤@¤#. percUSSIVE LEAD AND SO Forth .#¤@¤§.#~§ @.@.§¤§.#' @ MAKENOISE MATHS '#.§¤§.@.@ #¤§'§:@:#^ PROBABLY JUST « ^#:@:§'§¤# #:#=§¤§¤@- « slightLY LIGHTER SQUARE ON the neck" -@¤§¤§=#:# #^#'@.§=#. .#=§.@'#^# §'§¤§-§=§~ ##~ TWO NE ONE ~§=§-§¤§'§ @-#=#¤#.§~ ~§.#¤#=#-@ @¤§'§^@^§= ##: FIVE F AB PINACA =§^@^§'§¤@ @.@=§=@^§~ ~§^@=§=@.@ #-#~§=#-§: :§-#=§~#-# §'§'§~#.#. .#.#~§'§'§ #=#=@~#:#^ ^#:#~@=#=# @~#~#^#.#- -#.#^#~#~@