.~.~#'-:'' '':-'#~.~. -^.§.~~=¤~ ~¤=~~.§.^- .-@.'-^'^' '^'^-'.@-. ~§':.'.^.^ ^.^.'.:'§~ #¤=¤.'.¤¤' '¤¤.'.¤=¤# '-..^.-':# #:'-.^..-' :~.-~^'-@. .@-'^~-.~: =¤¤:^~-§'^ WHAT ^'§-~^:¤¤= ..¤-¤.@¤-. #:#:# .-¤@.¤-¤.. ^^.:~@'=.~ ~.='@~:.^^ '~-~@-=:.- water, basICALLY, IN VARIOUS Falling or -.:=-@~-~' ~'.@~¤¤~-~ hovering fORMS, MAYBE ALSO TO the sample ~-~¤¤~@.'~ '-§¤:^''.' and hold oUT TO THE FILTER... maybe... '.''^:¤§-' ~@:'¤='=¤= resonance GOES TO THE MAX AS well ¤¤ =¤='=¤':@~ @~^=¤-:-¤. ¤¤ fifTHS OR POLY RIng mode ¤¤ .¤-:-¤=^~@ .-~:^.-=~§ ¤¤ the FIFTHS MODE IS cool ¤¤ §~=-.^:~-. ¤:¤..'-~@. ¤¤ TOY FORM FACTOR ¤¤ .@~-'..¤:¤ '^=''-¤@=~ ¤¤ DETUNE KNOB ¤¤ ~=@¤-''=^' -¤'=:'§-=. ¤¤ ! ANALOG SUBTRACTion ratio .=-§':='¤- :¤-~¤§^:^= #¤: ::: : OR ADSR FOR SHORT : ::: :¤# =^:^§¤~-¤: -~=:@='~'~ ~'~'=@:=~- .¤^@=:¤:-¤ lets just HACK TOGETHER A particle ¤-:¤:=@^¤. :^@^¤-^:=^ acceleratoR-DRIVEN SUBCRITICAl reactor ^=:^-¤^@^: ~@=.¤::¤.- #¤: ::: : OR ADSR FOR short ¤¤ -.¤::¤.=@~ #:=~-~=¤^~ ~^¤=~-~=:# .~¤==^--^# #^--^==¤~. .-:~~:¤.@. is a way TO TRANSFER MUSICal intent .@.¤:~~:-. .~='-¤.§'~ through a TUBE. IT'S SUPPOSED to have a ~'§.¤-'=~. ^¤:.:~@.-: woNDERFUL, EXTRAORDINAry. :-.@~:.:¤^ ^'-=:@~~'¤ ¤'~~@:=-'^ '''^§=:.¤: wow: a slOWER FLUTTER, USUALly several :¤.:=§^''' =-¤#'.':': seconds lONG. WHAT UP. BOTH of these :':'.'#¤-= ¤'§^.¤:=-: increase WHEN TAPE SPEED decreases. :-=:¤.^§'¤ .#^^~¤¤¤-= =-¤¤¤~^^#. #.¤=¤':.¤^ print throUGH: TAPES RUB SOUNd on each ^¤.:'¤=¤.# '^.^'~~^=@ other in tHE LAKE OR SEA FEELS warmer in @=^~~'^.^' =:::-¤-'@: comparison, SO ITS NICER GOING swimming :@'-¤-:::= .¤¤:===§¤^ ^¤§===:¤¤. ^=-^^¤§-'- after darK, STREETLIGHTS Will make -'-§¤^^-=^ =^¤-:§.--¤ groovy rEFLECTION IN THE asphalt ¤--.§:-¤^= ^:=¤§=^=-~ ~-=^=§¤=:^ :.¤§'¤:~¤' any potenTIAL PETS WILL COme inside '¤~:¤'§¤.: .=#^:~:^~- -~^:~:^#=. .§~--=¤':¤ ¤:'¤=--~§. @-¤¤^..='~ ~'=..^¤¤-@ ==~:-=¤=.# #.=¤=-:~== :'.:.':'§: :§':'.:.': ¤¤.:':'§-^ ^-§':':.¤¤