^¤:#-=:=:^ ^:=:=-#:¤^ ~~.##-:~-. .-~:-##.~~ ¤=^@-@^-:- -:-^@-@^=¤ ~^-§§@@:.. ..:@@§§-^~ .¤.#.¤^#'~ ~'#^¤.#.¤. ~.^@§:=##^ ^##=:§@^.~ --¤§:#=§.§ §.§=#:§¤-- §=-@§#§§#§ WhaT §#§§#§@-=§ '§:#-':'=- #^#^# -=':'-#:§' ¤@§#@:'==' '==':@#§@¤ .§'~~#.-:¤ WATEr, BaSICALLy, in varIOUS FaLlinG OR ¤:-.#~~'§. '@§-¤@@:~: HOVErinG FORMS, maYbe alsO TO ThE saMPLE :~:@@¤-§@' '#^#'§~§-: AND hoLd OUT To The filTER... MaybE... :-§~§'#^#' .§@#§#@@§^ RESOnanCe GOES tO tHe mAX AS Well :: ^§@@#§#@§. =#~~''.¤^@ :: fifThS OR PolY RING Mode :: @^¤.''~~#= #§§¤~==^.# :: the FIFTHs moDe IS cOol :: #.^==~¤§§# ::-§=~¤^-§ :: TOY foRm FactOR :: §-^¤~=§-:: @'^@#-¤=¤§ :: DetuNe Knob :: §¤=¤-#@^'@ .@:@'#^~^# :: ! ANALOg sUbtrACTION rATIO #^~^#'@:@. ###@@@@-^# #:^ ^^^ ^ OR Adsr foR sHORT ^ ^^^ ^:# #^-@@@@### .====¤=@.§ §.@=¤====. #-¤'~^-§## LETS JuST HAck toGethER A PartICLE ##§-^~'¤-# -#.¤.~=@=^ ACCElerAtOR-DRIven sUbcrITICAL reaCTOR ^=@=~.¤.#- .§#-.:^#@' #:^ ^^^ ^ Or adSr FOR sHort :: '@#^:.-#§. ~@=#=^'§^§ §^§'^=#=@~ @§§§@~¤#§# #§#¤~@§§§@ =~='^@=#¤. IS a WaY TO traNsfEr MUSICAl inTENT .¤#=@^'=~= -.-=~@@@#~ THROugh a TUBE. it's SuppOSED tO haVE A ~#@@@~=-.- -'~~'§..=# WoNDERFUl, ExtRaorDINARY. #=..§'~~'- #:~::@#:'§ §':#@::~:# ¤@:='§'#'# WOW: a sLOWER fluTteR, USUALLy sevERAL #'#'§'=:@¤ #§§^-§§#§§ SECOnds LONG. whAt up. BOTH oF tHESE §§#§§-^§§# ~=-§'#^::¤ INCReasE WHEN tApe spEED DeCreaSES. ¤::^#'§-=~ ~-=#@#@¤.= =.¤@#@#=-~ ^.¤@¤'.@¤- PRINt tHrOUGH: tapEs rub SOUND On EACH -¤@.'¤@¤.^ .~¤§§^.@§: OTHEr iN THE LAke Or Sea FEELS wArmeR IN :§@.^§§¤~. ¤~'#:§¤§~§ COMPariSoN, SO its nIcer GOING SwimMING §~§¤§:#'~¤ §.^§@§@##§ §##@§@§^.§ .@'#'~.^.. AFTEr DaRK, strEetLighTS WIlL MAKE ..^.~'#'@. -#§@#-=:.~ GROOvy REFLECtioN in THE aspHALT ~.:=-#@§#- -§-^:#¤~.- -.~¤#:^-§- =@@--§§-': ANY poTeNTIAL peTs wilL COMe inSIDE :'-§§--@@= ~#-@'@'@'- -'@'@'@-#~ '§§@§@##§' '§##@§@§§' :@=-¤=-=^# #^=-=¤-=@: §#@-~^^'=# #='^^~-@#§ ~^¤§¤¤.=^@ @^=.¤¤§¤^~ @.^#§:.:=# #=:.:§#^.@