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~¤^^:#^§'#                                          #'§^#:^^¤~
#~¤¤^§^#=#                                          #=#^§^¤¤~#
:@-''#.@:§ actually, i'm selling this one. fuck it. §:@.#''-@:
~##^:#:§¤§ i want a beats  or  a  kick  or  a base. §¤§:#:^##~
~#^#¤@.@:#                                          #:@.@¤#^#~
¤§'#-@-§'@                ¤@ tbh @¤                 @'§-@-#'§¤
:§-#:@-#¤@                                          @¤#-@:#-§:
¤#=@'#^#=# it   sounds    good   and   should    be #=#^#'@=#¤
~#'#^§-§¤§ used     in     your     music,    tyvm. §¤§-§^#'#~
-§¤@=#¤#-§                                          §-#¤#=@¤§-
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'§^@'§=@'§                                          §'@=§'@^§'
'@:#:#^§¤§             see po sixteen)              §¤§^#:#:@'
:@'@^§~@~§                                          §~@~§^@'@:
=#'§-#'§¤§                                          §¤§'#-§'#=
^§.§=@=#¤#   class iv is apparently i dont. not if  #¤#=@=§.§^
.#-@.§:#=@  it's like operating a plane in another  @=#:§.@-#.
-§:@~§=§^#                 language                 #^§=§~@:§-
.@~§-@'#^@      maybe i dont like the fm sound      @^#'@-§~@.
^§~§.@^#¤#                                          #¤#^@.§~§^
-§.@^§=#'@ actually, i'm selling this one. fuck it. @'#=§^@.§-
'§¤@=@^§'#    i want a beats or a kick or a base.   #'§^@=@¤§'
:§:§~@¤@:§                                          §:@¤@~§:§:
~@=§-§~§-@                ¤@ tbh @¤                 @-§~§-§=@~
=#^@:#^§-@                                          @-§^#:@^#=
.#-@'§¤§^#  it sounds good this one from wikiped ^  #^§¤§'@-#.
^@.#.§^@'#          @#@#@#@#@#@#@#@#@#@#@#@         #'@^§.#.@^
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=@¤@:#=#'§                   &&&&                   §'#=#:@¤@=
^@.@=#:§^@ ##@@                         powerlines  @^§:#=@.@^
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¤§'§-§~§:§                                          §:§~§-§'§¤
-#:§~@-#¤@    ¤ a walkman anyway, runs off of the   @¤#-@~§:#-
.@-§=@'#¤@         standard household ones.         @¤#'@=§-@.
¤#^#-@'§'#        think double a, triple a,         #'§'@-#^#¤
~@^@~§-§=§    twentyfive twenty, nine volt, such    §=§-§~@^@~
.§~§^@=#=#                 things...                #=#=@^§~§.
-@¤§^#:#'#                                          #'#:#^§¤@-
:§¤#'§.#=#    they look slick but are very big).    #=#.§'#¤§:
'@.@'#'§~§                                          §~§'#'@.@'
^§-#¤@'#^@ on the head when you're really using it. @^#'@¤#-§^
¤@'@-§^§¤§   it only living on the senses, reduce   §¤§^§-@'@¤
'§^§=@'§-@              time blur and               @-§'@=§^§'
:#^#:#^§~@           see only one fun at            @~§^#:#^#:
:#~@.§-#.@                  a time                  @.#-§.@~#:
.§-§¤§'@^§             # mutable clouds             §^@'§¤§-§.
'#.§'§¤#~@      high level grainy space shift       @~#¤§'§.#'
~§^§¤§¤@-§       effect thats also a reverb??       §-@¤§¤§^§~
'#.#.§=#:#     # bia - basimilus iteritas alter     #:#=§.#.#'
'§-#'§:#=§       a bass drum and a kick and a       §=#:§'#-§'
.§-#-@-§:§       percussive lead and so forth       §:§-@-#-§.
'@-#'@~§.#            # makenoise maths             #.§~@'#-@'
=@=§-@:#~#             probably just -              #~#:@-§=@=
.#~@-§=§~@  - slightly lighter square on the neck"  @~§=§-@~#.
-#^§.§.#¤@                                          @¤#.§.§^#-
¤§:@:@~§¤#              ##¤ two ne one              #¤§~@:@:§¤
:@-@:#.@'§                                          §'@.#:@-@:
~@'@.§=#^#           ##- five f ab pinaca           #^#=§.@'@~
^#:§¤§~#^#                                          #^#~§¤§:#^
^§=§'@=§'§                                          §'§=@'§=§^
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:§.§:§~@'@                                          @'@~§:§.§: