-.'.¤#~=¤= =¤=~#¤.'.- ^-'=~@@^¤: :¤^@@~='-^ '^^=.@-#~. .~#-@.=^^' =:¤¤:#¤@@. .@@¤#:¤¤:= ~¤^^:#^§'# #'§^#:^^¤~ #~¤¤^§^#=# #=#^§^¤¤~# :@-''#.@:§ actually, i'm selling this one. fuck it. §:@.#''-@: ~##^:#:§¤§ i want a beats or a kick or a base. §¤§:#:^##~ ~#^#¤@.@:# #:@.@¤#^#~ ¤§'#-@-§'@ ¤@ tbh @¤ @'§-@-#'§¤ :§-#:@-#¤@ @¤#-@:#-§: ¤#=@'#^#=# it sounds good and should be #=#^#'@=#¤ ~#'#^§-§¤§ used in your music, tyvm. §¤§-§^#'#~ -§¤@=#¤#-§ §-#¤#=@¤§- ~§¤#:@~@'# ¤--&--¤ #'@~@:#¤§~ '§^@'§=@'§ §'@=§'@^§' '@:#:#^§¤§ see po sixteen) §¤§^#:#:@' :@'@^§~@~§ §~@~§^@'@: =#'§-#'§¤§ §¤§'#-§'#= ^§.§=@=#¤# class iv is apparently i dont. not if #¤#=@=§.§^ .#-@.§:#=@ it's like operating a plane in another @=#:§.@-#. -§:@~§=§^# language #^§=§~@:§- .@~§-@'#^@ maybe i dont like the fm sound @^#'@-§~@. ^§~§.@^#¤# #¤#^@.§~§^ -§.@^§=#'@ actually, i'm selling this one. fuck it. @'#=§^@.§- '§¤@=@^§'# i want a beats or a kick or a base. #'§^@=@¤§' :§:§~@¤@:§ §:@¤@~§:§: ~@=§-§~§-@ ¤@ tbh @¤ @-§~§-§=@~ =#^@:#^§-@ @-§^#:@^#= .#-@'§¤§^# it sounds good this one from wikiped ^ #^§¤§'@-#. ^@.#.§^@'# @#@#@#@#@#@#@#@#@#@#@#@ #'@^§.#.@^ -#^@^§.§'# # #'§.§^@^#- =@¤@:#=#'§ &&&& §'#=#:@¤@= ^@.@=#:§^@ ##@@ powerlines @^§:#=@.@^ :@=§.§~§~# @ # #~§~§.§=@: =#~#'§.#-# ¤ #-#.§'#~#= .#^@'@:@-§ &&&&&&&&&& ¤ @ §-@:@'@^#. .@:@~§=§:@ ¤-¤#@&-¤-&&&!@@@§# ¤& ¤& @:§=§~@:@. ¤§^@.#^@'§ &! &!¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ §'@^#.@^§¤ ¤§'§-§~§:§ §:§~§-§'§¤ -#:§~@-#¤@ ¤ a walkman anyway, runs off of the @¤#-@~§:#- .@-§=@'#¤@ standard household ones. @¤#'@=§-@. ¤#^#-@'§'# think double a, triple a, #'§'@-#^#¤ ~@^@~§-§=§ twentyfive twenty, nine volt, such §=§-§~@^@~ .§~§^@=#=# things... #=#=@^§~§. -@¤§^#:#'# #'#:#^§¤@- :§¤#'§.#=# they look slick but are very big). #=#.§'#¤§: '@.@'#'§~§ §~§'#'@.@' ^§-#¤@'#^@ on the head when you're really using it. @^#'@¤#-§^ ¤@'@-§^§¤§ it only living on the senses, reduce §¤§^§-@'@¤ '§^§=@'§-@ time blur and @-§'@=§^§' :#^#:#^§~@ see only one fun at @~§^#:#^#: :#~@.§-#.@ a time @.#-§.@~#: .§-§¤§'@^§ # mutable clouds §^@'§¤§-§. '#.§'§¤#~@ high level grainy space shift @~#¤§'§.#' ~§^§¤§¤@-§ effect thats also a reverb?? §-@¤§¤§^§~ '#.#.§=#:# # bia - basimilus iteritas alter #:#=§.#.#' '§-#'§:#=§ a bass drum and a kick and a §=#:§'#-§' .§-#-@-§:§ percussive lead and so forth §:§-@-#-§. '@-#'@~§.# # makenoise maths #.§~@'#-@' =@=§-@:#~# probably just - #~#:@-§=@= .#~@-§=§~@ - slightly lighter square on the neck" @~§=§-@~#. -#^§.§.#¤@ @¤#.§.§^#- ¤§:@:@~§¤# ##¤ two ne one #¤§~@:@:§¤ :@-@:#.@'§ §'@.#:@-@: ~@'@.§=#^# ##- five f ab pinaca #^#=§.@'@~ ^#:§¤§~#^# #^#~§¤§:#^ ^§=§'@=§'§ §'§=@'§=§^ ¤#-§:#:#-§ §-#:#:§-#¤ .#'@^#:@'# #'@:#^@'#. :§.§:§~@'@ @'@~§:§.§: