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:§¤':^-§:'                                          ':§-^:'¤§:
^#@.=-'§#~                                          ~#§'-=.@#^
=#.§.=~@-§ i   actually    have   one   of   these? §-@~=.§.#=
#§@§@¤.@§#                                          #§@.¤@§@§#
-='¤¤#-#-~                 ~~%###%~~                ~-#-#¤¤'=-
:^.:=####'       ?? pittsburgh electronics ??       '####=:.^:
-:.^¤#¤.=§             «« lifeforms ««              §=.¤#¤^.:-
§'.--§§¤-@               && sv one &&               @-¤§§--.'§
¤#'^-§¤#^@                                          @^#¤§-^'#¤
@#§^~###§§ this is  a eurorack module but  i bought §§###~^§#@
--.@.§~:¤' the  blackbox  one  so  it's  also  not. '¤:~§.@.--
¤^.§#@@^:¤                                          ¤:^@@#§.^¤
=¤~§¤^~@:. it  ships  with  too few  patch  cables. .:@~^¤§~¤=
=::#@::§§:                                          :§§::@#::=
^'¤#¤§'#=§             ~!& contains &!~             §=#'§¤#¤'^
#¤~§@#§#@§           midi to cv converter           §@#§#@§~¤#
'§~§^^.¤~'                 two vco's                '~¤.^^§~§'
^§§@§==¤'. four  channel or two x two channel mixer .'¤==§@§§^
~@~='§:''= two    sub    oscillators     i    think ='':§'=~@~
-§§^.§@.:^         two one to two splitters         ^:.@§.^§§-
^§¤@:@=#'.           white noise generator          .'#=@:@¤§^
-§#@@@§@§~             sample and hold              ~§@§@@@#§-
-§^=--¤==#          lfo plus a digital lfo          #==¤--=^§-
##§''=.=.# filter   (lowpass,  bandpass,  highpass) #.=.=''§##
^^¤#¤=^:~@               adsr envelope              @~:^=¤#¤^^
§~:@@'¤-:@                  one vca                 @:-¤'@@:~§
~§'§.#-'.#              headphone amp               #.'-#.§'§~
#§§##§#..#         fourty nine patchpoints!         #..#§##§§#
~:.'¤.~@.@                                          @.@~.¤'.:~
@=~=~~'§@#                  ~?###?~                 #@§'~~=~=@
-§:~'~'@:-            «!! so what now !!«           -:@'~'~:§-
~@§=~'.@#.                 ~?###?~                  .#@.'~=§@~
=@:#-~'@~#                                          #~@'~-#:@=
@@@@#'~#@§ clock  io goes  to asdr  in i  think and §@#~'#@@@@
-.--^#-§¤~ maybe also  to the sample  and hold. put ~¤§-#^--.-
=.^':§§#§^ subbase and noise  in channel three  and ^§#§§:'^.=
~:¤~'§''¤@ four. oscillator one saw to channel two, @¤''§'~¤:~
#'~¤~@#.¤§ and  oscillator two saw  to channel one. §¤.#@~¤~'#
~#^:=#:@=§ sample  and hold out  to  the  filter... §=@:#=:^#~
###~^#@#@@        maybe... resonance at half.       @@#@#^~###
::-#.§=-'¤ some frequency  in the first  oscillator ¤'-=§.#-::
..:@###~¤: and  then the second  osc four semitones :¤~###@:..
¤^.@.':#~.                 higher.                  .~#:'.@.^¤
¤~'@@.'@@=                                          =@@'.@@'~¤
=^'#¤@=§=§                 ?«?&?«?                  §=§=@¤#'^=
#-=§@#@@@§           &%% desktop synth %%&          §@@@#@§=-#
~@¤§¤.~=-'                 ?«?&?«?                  '-=~.¤§¤@~
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