(reading a question) "thoughts on the amount of fans who are also part of the furry fandom who also like to combine your music with furry stuff? i assume, you most likely don't care about that type of stuff but it's someting i keep thinking about."
(answer) "now-- yeah it don't bother me at all like i think like ... yeah furry stuff's weird to me but it's not like, alienating, i don't find like, i'm not like repulsed by it or anything, so... i'm not, it takes quite a lot to repulse me. like i'm not... i'm not weirded out by it the way a lot of people my age seem to be weirded out by it, but... erm... maybe because i don't think it's that weird to wanna dress up as an animal, and go around being an animal character. i think that's not that weird."
Q: do you think you'll ever make music that would be good for a furry convention dancefloor?
A: (laughs) I don't know, maybe? I don't really think about that kind of stuff when we're making music, so I don't know if anything we've made would be good for that or not. But if people want to use our music for that, that's fine with me.
Q: What's the best part of furry music, in your opinion?
A: The fact that it's so open to interpretation. You can make whatever kind of music you want and there's an audience for it.
Q: What's the worst part of furry music, in your opinion?
A: The fact that it's so open to interpretation. You can make whatever kind of music you want and there's an audience for it.
Make the drummer sound good.
It must be always night, otherwise they would't need the lights.
The inside of the tune (the bridge) is the part that makes the outside sound good.
Don't play everything (or everytime); let some things go by. Some music just imagined. What you don't play can be more important than what you do.
Always leave them wanting more.